The Battle for Deptford – the film premiere

The end of April 2022 saw the film premiere of The Battle for Deptford, a feature-length documentary film by local campaigner and film-maker Harriet Vickers. It was shown in St Nicholas Church in Deptford as part of the New Cross and Deptford Film Festival (the online premiere took place a week later).

Hat Vickers introducing the film at the premiere. Photo: Anita Strasser

The event attracted a 200+ strong audience. It was the first big event since I launched the book Deptford is Changing in January 2020. Then Covid-19 hit and large gatherings were no longer possible. Now that we seem to be at the end stages of the pandemic (hopefully), this film premiere re-opened the season of gatherings. It was, in a way, a reunion of London-wide activists, campaigners and friends and a celebration of solidarity, community and friendship, as well as the achievements during the struggles of inequality. The film documents the struggle to save Tidemill Garden, a community garden, and Reginald House, a council block, in Deptford south-east London. As reported in previous blog posts, the campaign argued for community-designed proposals which would keep the garden and Reginald House and build the same amount of housing units and 100% social housing, not 11% as the council initially offered. Although these proposals were thrown out by the council, local pressure achieved 56% social housing in the planning proposals – an achievement for which the campaign is never officially credited. The campaign continued the fight to save the garden and block until the very end. Sadly, the garden has been destroyed and is being built on as I write this. Reginald House is still on the cards for demolition.

The main focus of the film, however, is on what the garden, the garden community and collective resistance meant to people. It gives an emotional account of the friendships, love and care and social solidarity this space and community activism enabled and what can be achieved through affection, loyalty and commitment. The photographs from different decades and taken by different people depict people of all ages, ethnicities and socio-economic backgrounds, engaging in activities such as gardening, making music, doing art and socialising; the music is from local performers and musicians who accompanied the resistance all the way; and video footage covers all the events, protests and processions; the interviews zoom in on valuable details that elaborate on resistance, community and friendship. Altogether, the beautiful film gives an indication of the collaborative element of this campaign and community and how much it meant to be part of it.

Deptford Carnival in summer 2018 as featured in the film. Photo: Hat Vickers

One thing comes across really clearly in the film: the value of Tidemill Garden and the people who made this space; people from all walks of life who found meaning, purpose and affection. How could the council get it so wrong? How could they say the garden wasn’t used and had no value? Paul Bell’s comment in the film of it not looking like Kew Gardens or the Hanging Gardens of Babylon and therefore not having any value is telling. Although the campaign lost the fight to save the garden, the film shows that people can affect social change through resistance. Resistance is not only fighting against social, spatial and environmental inequalities, housing schemes that favour the few and not the many, decided by those that favour the aesthetics of landscaped Kew Gardens and uniform high-rises than that of truly socially-mixed housing and a community garden made by local children, parents, teachers and artists. The campaign achieved an increase in the percentage of social housing (from the ridiculous 11% to 56%), better communication with “decanted” residents and better relocation offers for some. Resistance is also about combating attempts to break up social solidarity, community and mutual support in a neoliberal environment that pits groups and individuals against one another in the fight for scarce resources. And this is the most beautiful thing that has come out of resistance in Deptford: it has strengthened social solidarity.

Heather Gilmore, local campaigner and one of the main protagonists of the film, speaking at a rally. Photo: Hat Vickers

The film is a beautiful depiction of community, solidarity, love and affection. The film premiere itself reignited the same feelings. And I feel so privileged to be part of it and to count campaign members and garden supporters as my friends and peers. Never before have I been part of such a solid, committed, inclusive and creative community. It was wonderful to be together again in the same room, to watch this amazing film and to see the community is still going strong despite all that’s happened. The premiere and the subsequent Q&A with Hat, some interviewees from the film and representatives of Catford Against Social Cleansing and the Achilles Street Stop and Listen Campaign, as well as engaged members of the audience, showed that Deptford still aint avvin’ it! Discussions focused on how we can continue resisting. There is more resistance to come with lots of loud, creative and vibrant noise.

An engaged audience during the Q&A after the film. Photo: Anita Strasser

If you have missed the premieres, there will be further screenings across London and the film is now also available to watch on youtube (click here or on image below) . It’s a “must watch” for all those interested in Deptford life past and present, housing and green space campaigns and resisting the social, spatial and environmental inequalities of our times.

Click image to the watch the film

The Battle for Deptford – film premiere

It’s been a while since I last posted on this site. But today I have exciting news: Hat Vickers, fellow Deptford campaigner, is releasing her feature-length documentary film about the fight to save Tidemill Garden and Reginald House in Deptford. Hat writes:

I’m really pleased to invite you to the premiere of The Battle for Deptford, a feature length documentary about community, gentrification and resistance in south east London. Click the image to watch the trailer.

Watch the trailer here.

Whose city is it?

A beloved community garden and block of council homes in Deptford, south east London, are under threat from redevelopment. Lewisham Council want to push through demolition, but local people fight back, to try to influence the plans and have a say in how their communities are changing.

This documentary delves into how by changing our city we change ourselves, and the forces which can take this collective right away from us. It explores gentrification, air pollution, the importance of green spaces, and what it means to be part of a community.

There will be a IRL premiere at St Nicholas Church, Deptford, on Thursday 28 April.

And an online premiere on Thursday 5 May.

Tickets are free but please register in advance to book your place.

I hope to see you there.

Links for further information:

The Battle for Deptford trailer

Screenings booking page

Documentary facebook page

Photos by Hat Vickers

Another new development in Deptford


This image shows a summer festival taking place in the children’s playground in Charlotte Turner Gardens in 2018. There are now plans by developer Aurora Apartments to construct a three-storey block of flats at the top end (where the trees are – mid-centre of the image), which would completely overshadow this playground. The building would be a tight squeeze between an already narrow road (McMillan Street) where cars get stuck constantly due to lack of space and end up on the pavement endangering pedestrians, and the playground. It would block out light from flats in the opposite block only constructed a few years ago, it would block out the light from, and overlook from close proximity, the outdoor space of Armada Community Hall, which is often used by playgroups, it would block out the light from the playground, and it would allow the new residents to watch children playing at extremely close distance. During construction, neither the playground nor the Armada Hall yard could be used. Just for these reasons it seems crazy to squeeze in a block of flats in this small piece of land. I’m very pleased to hear that Greenwich Council have rejected the proposal for these reasons. But there are also other reasons, which are clearly outlined in the latest newsletter from Deptford Folk, a constituted park user group representing Deptford Park & Folkestone Gardens. Rather than me repeating their detailed newsletter, you can click on this link to their newsletter, where you can find all the information and also click to object.  You can also sign a petition here if you click on this link. 

I’ve signed the petition and objected to the plans for the reasons above but also because Deptford is so desperate for safe, green and open spaces, as well as playgrounds (and this one is on grass rather than the usual rubber flooring). This park has become particularly important since lockdown, with many families using Charlotte Turner Gardens as their only accessible green space. I have never seen the park and playground so busy as this summer and it’s really helped local residents trying to cope with the current situation. I myself have come to use this park much more and its open feel has really helped me through lockdown. The sunsets have been especially lovely, with the last rays still reaching the park due to its open design. The new building would overshadow this open feel by significantly narrowing the currently wide and open entrance, and park users and residents would feel much more closed in. Another reason why I object is that the proposed building does not meet any of the criteria for affordable housing or social housing, and as we all know, Deptford needs more of that and less homes for sale.

Below is a screenshot of part of Deptford Folk’s newsletter (the links on here don’t work as it’s an image. To object or read more, please click on the link above).

Screenshot 2020-08-17 at 14.04.55


Deptford is Changing in the Lewisham Ledger

After the book Deptford is Changing was published, I was contacted by Lewisham Ledger journalist Anviksha Patel for an interview about my motivations for the book. The interview took place in February but was only published this week due to lockdown and the Coronavirus situation in general. See article below:

Screenshot 2021-07-07 at 12.00.59

This August/September 2020 issue of the Lewisham Ledger is stocked in many places in south-east London, including these local places: The Moonshot Centre, Isla Ray, Deptford Does Art, The Greenhouse, The Royal Albert, The Bird’s Nest, Art Hub Studios, Hop Burns & Black, Little Nan’s, Taproom, Job Centre and The Word Bookshop (the book is available there for £20). For a full list of stockists, click here. Look out for this front cover:

Lewisham Ledger Blog photo 2

Deptford is Changing is with Deptford Cinema

Before Lockdown I was in conversation with Deptford Cinema Film and Book Club to organise a film screening followed by a discussion of the book Deptford is Changing. We had arranged to combine the book with the film The Last Black Man in San Francisco as the story of the main character fits very well with some of the personal stories in the book. For those who don’t know the film, it is a moving portrait of a young black man who is living with a friend and longs to move back into his childhood home. The film speaks a lot about the connection we have with home and how important rootedness and a sense of belonging are. With Covid-19 making film and book nights in the cinema impossible, Deptford Cinema decided to launch a podcast series and I was invited to discuss the book and the film via Zoom with Caroline Jupp, one of the volunteers at the Cinema. This was followed by a discussion about the film by Tashi and Ben, also volunteers at Deptford Cinema. The whole podcast can be listened to here:

186A5070Photo: Deptford Cinema / Adriana Kytkova

“I think it’s going to be turned into a block of flats”

It’s been a while since I last published an article. The last few months have been strange times for all of us and all the gatherings with campaigners, activists, musicians and local residents, and all the spontaneous encounters on the High Street seem so far in the distance. Even further away is a photography walk I did with local kids two years ago, and it’s strange to remember the carefree way of using public space and being at close proximity with many people at the time. It’s a story I haven’t published on here yet and it seems fitting to publish it now that lockdown is easing. Let’s hope that activities such as this one are not too far off in the future.

The photography walk and workshop followed on from a Lego® workshop I did in January 2018 with local Cubs at 2nd Deptford – the local Scouts Hall. The purpose was to understand how children that age (8-10) understand regeneration and how we could engage them in critical conversations about their urban neighbourhood. To continue this conversation and to engage more directly and critically with the urban environment, we decided to do a photography walk, where children would take photos of the local area (with support) and where we would ask them questions about what they were seeing. This session was followed by a photo-elicitation session the week after to see what they had remembered. The photos in the first half of the article were taken by the kids (except the group shot below right).

As we had to start and finish at the Scouts Hall on Childers Street, I planned a 1.5 hour walk down Childers Street to the Lord Clyde and Evelyn Community Centre and back via Arklow Road and the Anthology Deptford Foundry Development. I went out with a group of 15 Cubs, 2 Scout Leaders, one parent and my husband, who all helped me with questions and answers, keeping an eye on traffic and that the children wouldn’t run out into the streets. I asked questions, recorded answers and helped the kids take photographs with three different cameras.

The walk and talk started at the controversial empty business units on Childers Streets, units that, according to Deptford Folk[1], were intended to provide much-needed employment floorspace and to support the local economy, but which have been priced in excess of the quoted price, thus making the units unaffordable to local tenants. At the time of the walk, the developer was planning to make these units into residential units, but their application was being challenged by Deptford Folk. When I asked the kids what they thought the units were designed for, one child replied: “It’s supposed to be an office to sell flats!” This is interesting considering that many developments do have a sales suite on ground floor level. When I asked why they thought it was empty, they replied: “It’s too expensive!”

We took some photos and continued our walk to the old cardboard factory where Warren, a Cub’s father, worked when he was young. “I used to make sure all the women had lots of pamphlets to stuff in envelopes otherwise they would shout my name out. They’d go WARREN!!!! You see, they used to get paid by the amount of leaflets they got through so they used to be really quick in shoving them into the envelopes. Those were the envelopes that would go through your door as trash mail. That was my Saturday job.”

We noticed that one end of the building was abandoned and covered in graffiti while the other end had already been developed into new-looking flats without graffiti. We first looked at the undeveloped end and asked the kids to explain the condition of the building:

“It hasn’t been used for centuries.”

“I think it’s going to be knocked down and turned into a new shop.”

“I think they’re going to renovate this place.”

“There’s a lot of graffiti on it.”

“It’s old and abandoned.”

“I think this was like old abandoned flats which was long ago and now I think it’s going to be renovated or demolished to make something new.”

Peter, one of the Scout Leaders, explained that it is a Grade B listed building, which is why the old front of the building is still there. “The front, the face of the building, cannot be demolished, only cleaned up, but the interior and the back can be completely redeveloped, which is what is happening.” When I asked the children to look at the redeveloped side of the building they noticed:

“There’s no graffiti on it!”

“It doesn’t have the grills in front of the windows.”

“This building has flats in it, it’s not abandoned.”

“If people live here and somebody comes and does graffiti they would want them to go.”

We continued and stopped outside the now closed Lord Palmerston Pub on the same street, which Deptford Folk have been trying to save to preserve cultural heritage and to have it re-opened with improved facilities that could cater for the rising numbers of people moving into the area. I asked the children why they thought it was empty. Interestingly, they could not really come up with an answer. Instead, we got some funny responses like the owners didn’t keep it clean enough or drank too much of the wine themselves. Another response was: “I think there are dark forces in the pub.”


In the end, Warren explained that the beer in pubs has become so expensive that people can’t afford it anymore and are buying it in the supermarket instead, to which one child replied: “It’s always about money, everybody always goes after money.” Another child then remarked: “Money money money money!” We then talked about another pub building – the Lord Clyde. Peter informed us that the building used to house two things. After guessing “pub” immediately, the children started shouting out whatever came into their heads: “a pharmacy, a bank, a shop, a betting place?” Peter explained that downstairs used to be a bar and upstairs was a boxing club and a gym. “After years and years of being in the community and deemed nice, it was suddenly declared not fit for purpose. Now we have flats”. One child responded: “Why does Deptford have so many flats?” They were able to answer the question themselves: “Because with new people coming, flats are more ideal because they can house more people.”

When we started looking at the Evelyn Community Centre and the blue tower blocks of the Evelyn Estate, the children’s responses became more interesting. One girl thought that “poor people who live in the streets and don’t have any food and water can live in those blocks” but she was very quickly corrected by another boy who lives there. He told her in no uncertain terms: “I disagree with you. I live here and my friends live here, not poor people from the streets.” A different child noticed the colourful mosaics around the estate and commented that people are attracted to colourful places. We turned to Evelyn Community Centre where Peter got married and regularly goes to meetings to discuss changes to the area. One child immediately recognised it as a community centre where people can go for help, attend meetings to talk about the community and the area, where children can come and play while their parents are working (it has a nursery at the back) and where homeless people can come to ask for advice. At the end, one child said in a very sad voice: “I think it’s going to be turned into a block of flats because they know what the rest of the place is like!” Peter assured them this was never going to happen because people would be putting up a good fight.

We carried on to the Anthology Deptford Foundry site on Arklow Road, going past the houses that stand on what was once a park. Warren remembers playing in that park when he was a kid. I point the children towards the towers covered in blue material and ask them what we’re looking at.

“Flats being built.”


“Construction going on.”

“I know what it is…for the FBI.”

“It might be the Illuminati.”


It was time to go.

Each child had taken 2-4 photographs which we discussed the following week to see what the children remembered about the conversations we’d had during the walk. After a brief task to see what they remembered about what we’d done the week before, I lay down all the images and asked the kids to organise them into the order of taking – basically laying out the walk in images. They were very keen to find the images they’d taken and after that excitement passed, they managed to put them in the right order, almost anyway. We then went through all the buildings we photographed to see if they had managed to retain any of the information from the week before. They remembered some of it, like that the houses on Arklow Road replaced a park and that most buildings are to do with building flats.

I asked them again about the tall buildings covered in blue material at the Anthology Development by Arklow Road. Below are some of their responses:

“I think it’s flats being built for the future.”

“I think it’s gonna be turned into like, big and wide flats.”

“I think it’s for people that have like, people like landlords, people who like work for the mayor.”

“I think it’s for people that are moving to London, they might want to live in those new flats.”

“People with money.”

At the end, I asked the children to choose the 15 best photographs – each child chose one. Unfortunately, there wasn’t enough time to talk to them a little bit about composition and what constitutes a good photograph or to ask them about the reasons for their choices other than “I like it”. We quickly hung the images on the wall of the Scout Hall and the rest of the images were handed out to the children.

[1] Deptford Folk: the park user group for Deptford Park & Folkestone Gardens in Deptford SE8



Deptford is Changing at Lewisham Libraries

Lewisham Libraries are making reading material available in different and creative ways for their library users during lockdown, including the reading of stories and texts in books stocked in their libraries. Last week, they chose a story from Deptford is Changing and made this wonderful video of it (see below). It’s Garry Lengthorn’s Story. 

I was also very happy to read the text they’d written on their Facebook page. See screenshot below:

Screenshot 2020-05-12 at 20.48.08

For more information, please check out their Facebook page:


Deptford is Changing book

_T1A7076Photo: Petra Rainer

Deptford is Changing: a creative exploration of the impact of gentrification is available in book form.

Through the financial support of CHASE – the Consortium for the Humanities and the Arts in South-East England – which part-funded the printing of this book, each participant received a free copy. I was also able to distribute the book for free to local community groups and spaces, libraries, some residents on low income, and campaign groups.

The book can be read (and sometimes borrowed) in the following local places: New Cross Learning, Pepys Resource Centre, Deptford Lounge,  Lewisham Library, West Greenwich Library, Evelyn Community CentreArmada Community Hall, 2nd Deptford Scouts Hall, El Cheapou (77A Deptford High Street). The book is also stocked at the libraries of Goldsmiths, London College of Communication at Elephant & Castle, Central St Martin at King’s Cross and Chelsea Art College.

The book can also be read online for free:

The book is for sale for £20 at The Word Bookshop on 314 New Cross Road. There is also a reduced price of £15 for project participants (after receiving their free copy), people on lower incomes and campaigners. To receive a discounted copy, please contact me directly. I’m happy to deliver personally within Deptford/New Cross/Greenwich or send copies for £4 each within the UK. In order to be able to offer discounted copies, the price for organisations and institutions is £25. Proceeds from book sales are donated to local initiatives which are supporting local residents impacted by current housing policy and austerity measures, and are contributing to the costs of a planned reprint.

If you have any questions, please contact me directly:

The book has 260 pages, is 280x210mm in size, is printed in colour and contains essays, interviews, poetry, song lyrics, hand-written comments, drawings, paintings, models, maps and artworks of all kinds, as well as 400 photographs – all in response to the changing face of Deptford. The content was produced in dialogue with over 160 residents, some of whom produced their own contributions to this book. It is a book that documents and critically analyses the struggles that local residents are up against due to unjust social change and regeneration, but it also celebrates the amazing community spirit in the area that speaks of an ethics of care and social solidarity that is so typical of Deptford. The idea was to provide local residents with a platform for their voices and experiences and give people the opportunity to define for themselves what Deptford and life in Deptford means to them. I wanted to create an alternative history and a counter-narrative to the one we are used to from the council, property developers and the media, which is a narrative many local people do not identify with.

Tidemill Garden – one year on

Yesterday marked one year since Tidemill Garden was destroyed by Lewisham Council. One year since 74 beautiful, healthy and mature trees were felled in the name of regeneration. One year since the Tidemill Garden Community lost its precious and much-loved green space that mitigated air pollution by half on one of the most polluted roundabouts in south-east London. One year since Deptford lost its autonomous, culturally-democratic green space that was home to a large creative community that hosted meetings, workshops, discussions and festivals. One year since Tidemill Garden lovers lost a precious space for green light, better air and tranquility. One year since Lewisham Council announced a climate emergency.

Yesterday, some local residents painted trees to commemorate the loss of Tidemill Garden. They painted all afternoon and pasted the paintings onto the hoardings around the garden that have been in place since over a year – since the eviction of garden occupants in October 2018. The paintings and comments say more than I can write here about what the garden meant to people, how they view its destruction and how they feel about the decision to fell 74 trees. So, I shall say no more… except that all the paintings seem to have been taken down within 12 hours. And except that this is another example of community spirit in Deptford – people getting together, painting together, eating together, acting together, resisting together. This is real cultural activism; activism in the real sense of the word – collectively intervening in governmental policies to bring about social and/or political change; not the kind that wins £1.35million of funding.




IMG-0457All photos by local residents.

Today marks one year since Andy Worthington, investigative journalist, author, campaigner, commentator and public speaker who has been involved in local housing campaigns for several years, wrote the article Violent and Unforgivable: The Destruction of the Old Tidemill Wildlife Garden in Deptford. I am republishing large extracts from his article below. Click here for full article.

IMG_3725Photo: Andy Worthington, 2018

Today is my birthday, and I find myself in a reflective place, looking, at one side, on death and destruction, and, on the other, at life and love and solidarity.

Perhaps this is appropriate at the age of 56, when I am neither young nor truly old — and, believe me, I reflect on aging, and mortality, and what it means, with some regularity, as my restless brain refuses to settle, endlessly asking questions and seeking new perspectives and insights into the human condition. But that is not why I’m in this reflective place today.

Yesterday, in the hallucinatory light and heat of one of the hottest February days in London’s history, I stood on a small triangle of grass by the horrendously polluted Deptford Church Street in south east London, and watched as a small group of tree-killers tore down almost all the trees in a beautiful community garden, the Old Tidemill Garden, whose tree canopy, which would imminently have returned as spring arrives, had, over 20 years, become an increasingly efficient absorber of that horrendous pollution.

As the heat waned and night fell, Lewisham Council held a meeting at which councillors — the same councillors responsible for the destruction of the garden — declared, with no trace of irony, a ‘climate emergency’, which involved calling on the Mayor and Cabinet to “pledge to do everything within their power to make Lewisham carbon neutral by 2030.” (Council Meeting Notes 27 February 2019). As the Lib Dems later tweeted, “you know going (net) zero carbon means you’ll need to store up more carbon in soil & trees? What you’re doing at Tidemill Garden isn’t really compatible with that.” (LewishamLibDems on Twitter 27 February 2019)

I cite this as just one example of the abundant contradictions involved in the destruction of Tidemill Garden — and the proposed destruction of the structurally sound council flats of Reginald House next door, whose residents, by an overwhelming majority, don’t want to have their homes destroyed, but haven’t been asked their wishes by the council.

For ten years, local people have fought to get the council to change their plans regarding a proposed housing development on the site of the Tidemill primary school, the garden (created by pupils, parents and teachers in 1998), and Reginald House, but to no avail. The school moved out in 2012, and guardians then moved into the vacant Victorian school, opening up the garden as part of their social and artistic activities. When they were evicted, the community was given ‘meanwhile use’ of the garden until the development plans were finalised. However, when the council asked for the keys back, on August 29 last year, the community had built up such support for the garden as a genuinely autonomous space for the people of Deptford, and as a precious environmental asset — and the council had shown such a persistent refusal to listen to why the garden was too precious, too genuinely invaluable to be sacrificed on the altar of profit — that we occupied it instead.

IMG_9089Photo: Andy Worthington, 2018

Two months later, on October 29, the council evicted us, using the union-busting bailiffs of County Enforcement, with the support of the police. When the council hired a tree services company to begin cutting down the trees in November, we persuaded them to very publicly withdraw from their contract, and the resulting impasse lasted until yesterday, when, in just a few hours, most of the trees were felled by chainsaws and a huge digger, and the entire garden turned into what looked like a war zone.

This is an apt metaphor, because, in a constant search for easy and excessive profits in the broken economy that crawled out of the Western establishment’s self-inflicted global crash of 2008 — when money-making financiers who claimed to have come up with an endlessly self-fulfilling economic miracle were revealed as the criminals they are, and the politicians who had all gone along with it lost their credibility — those in charge have now embraced a kind of cannibalistic capitalism, in which wars are now waged on poorer British people by their own leaders.

Driving all this is, of course, the open-ended and seemingly endless ‘age of austerity’ that was cynically declared by David Cameron and George Osborne when the Tories got back into power in 2010. This was — and still is — a naked onslaught on the state provision of almost all services essential for civil society and for anything resembling a society that can regard itself as fair and just. The cuts, which are both ongoing, and increasingly savage, hacked away at the funding available to councils and to those providing social housing, pushing both towards a harsh new political and economic reality that, to be honest, both parties have generally taken to with largely undisguised zeal.

Councils, pleading impotence — but, in general, secretly happy to not have to actually do anything themselves — have been hooking up with developers in order to build new housing, in deals that are contemptuous of those displaced by these arrangements — in general, the poorer members of these communities, those who, in Labour boroughs, actually vote for those dispossessing them, but who, in the post-Blair Labour Party, are seemingly of no concern to the party’s aspirational, middle class bureaucrats, who appear only interested in gentrifying anything that smacks of poverty or the working class.

And these unholy deals involve two routes to the current disaster in which we find ourselves. The first involves private companies awash with international investors’ cash, who acquire the land for a pittance so they can throw up the almost uncountable number of priapic towers that have risen across the capital in recent years for largely gullible foreign buyers. As this speculative housing market has started to lose its sheen, and the negative effects on international investor confidence of the self-inflicted madness of Brexit, a different kind of housing market has emerged, via housing associations, who, traditionally, provided genuinely affordable, long-term social housing — and who, since Margaret Thatcher began her destruction of council housing through ‘Right to Buy’, have also been given control of an increasing number of former council properties.

In recent years, the larger housing associations, who have come together under an organisational mega-umbrella, the G15, which is worryingly large, seem to have lost touch with their role as social housing providers, becoming an unhealthy public/private Frankenstein’s Monster, knocking down estates or finding other huge empty sites to build a mix of housing for sale, shared ownership, or for rent, with genuinely affordable social rents being devoured by a new regime of allegedly “affordable” rents that are not actually affordable at all.

At Tidemill, the main developer is Peabody, which still trades on its history as a philanthropic Victorian provider of housing for the poor, even though it is now completely unrecognisable, even from what it was ten years ago. We realised this when, in October 2018, we went to their head offices to protest about their involvement in the project, and were fobbed off.

To give just one example of how Peabody are now very fundamentally a part of the problem rather than any sort of solution, the former social housing provider recently signed an £8bn deal — yes, you read that correctly — with the Australian-based international property developer Lendlease to raze to the ground the whole of the Thamesmead estate in the far reaches of south east London over the coming years, in what will undoubtedly be — if it goes ahead — the biggest clearance programme to date in the wholesale gentrification of London. (Lendlease, in case anyone doesn’t know, play a major role in the redevelopment of Southwark’s Heygate Estate, in the Timberyard in Deptford, Lewisham, right next to the vulnerable Pepys Estate, and in Haringey if redevelopment goes ahead).For more information, please read article ‘Peabody picks Lendlease for £8bn Thamesmead regeneration’ in Inside Housing, 15 February 2019.

In this destruction — which can, and should, very genuinely, be described as an epidemic of social cleansing as politicians fail to genuinely stand up for the working class people of London, whether they are white British or part of the capital’s extraordinary melting pot of cultures and ethnicities – both Labour and Conservative councils are complicit.

And so, yesterday, on the eve of my birthday, as I stood on a small triangle of grass by Deptford Church Street, in that hallucinatory light and heat that, if you lost your focus for a moment, gave you the sensation that it was the height of summer, I watched what I can genuinely describe as a war on the ordinary people of Deptford — and, by extension working class people of all backgrounds and ethnicities across the whole of the UK — by the councillors who claim to be members of a caring Labour Party, the highly-paid executives of Peabody, endlessly delivering their narratives about being a charity that provides social housing, the tree-killers, and various other parties waiting in the wings, salivating over their potential cut of the £100m that, in total, the Tidemill site will deliver to all of those involved in its development as a dull collection of tiny identikit units punctuated by pockets of supremely unimaginative landscaping, including the inevitable ‘private’ gated garden for those with the most money.

In conclusion, then — and to offset all this terrible news — where is my hope on this ill-timed birthday?

Well, that, of course, lies with the community that I have grown to be part of over the last year and a half — the local people, the artists, the musicians, the shopkeepers, the market traders, social tenants, private tenants, sympathetic owner-occupiers, the residents of Reginald House, the homeless, the inspiring, hard-working squatters from across the UK and the EU, the environmental activists, visionaries and dreamers who have come together to defend an extraordinarily beautiful community space and green oasis, and who will continue to work together to resist the gentrification plans of Lewisham Council, Peabody and other developers.

DSC_0854Photo: Anita Strasser, 2018

The battle for Tidemill, of course, is still not over, as Reginald House still stands, and the building work has yet to begin, but other battles await elsewhere — primarily, in New Cross, where the council intends to destroy the Achilles Street estate, and a number of shops attached to it, as part of its intended re-making of the whole of the centre of New Cross, and in Catford, where the council intends to destroy the town centre — the 1970s shopping centre and Milford Towers, a council estate above it. In both cases it would make much more sense for Achilles Street and the Catford shopping centre and Milford Towers to be refurbished rather than destroyed and re-created, in developments worth hundreds of millions pounds to developers and other profiteers, but that will do nothing for local people, except to exile many former social tenants, to create empty glass towers of over-priced flats that no local people can afford, and to wipe out all existing local businesses, replacing them with empty shops of drearily ubiquitous corporate chains.

Please join us in whichever way you can. The Tidemill garden gave birth to a very powerful notion of what an autonomous space can be, and what an autonomous community can be, as, from the ground up, we dealt with Deptford as it is, not Deptford as its gentrifiers want it to be — providing a safe space for homeless people, providing a green space for children to play in, and for grown-ups to reflect and relax and escape the pressures of the outside world, providing opportunities for gardening, providing opportunities for anyone who wanted to put on arts events and musical events for free to do so, creating a venue for the internationally renowned Deptford X arts festival, and providing a space in which, genuinely, societal change seemed possible — via, for example, the structures that some of the occupiers built using scavenged materials, which could have been replicated to provide homes for the homeless, but which were, instead, smashed up by bailiffs within hours of the garden’s eviction four months ago.



The Pie ‘n’ Mash Autonomous Social Cafe

Photos: Fred Aylward (left), Anita Strasser (right)

The Pie ‘n’ Mash Autonomous Social Cafe is a squat on the Deptford High
Street that has sought to bring together people from all over the
neighbourhood to reclaim space for our own needs, and to find ways of
engaging with each other to address the issues in our community.
Launched by a group of locals, activists, and squatters in the wake of
the destruction of Tidemill Garden, the project has been running for 4
months, currently in its 4th building on the high street, providing
daily tea, coffee, snacks, clothes and warmth to all and any who pass
by. As well as operating as a cafe that is run by local volunteers and
donations, events such as art classes, open mic nights, housing
discussions and repair workshops have taken place in the venue. The
squat truly adapts to the needs and desires of those who participate in
it, and provides a platform to discuss and work from that isn’t bound
over by needless bureaucracy. As our community centres are being shut
down and our housing under attack, it is important that we seek to
defend our spaces new and old, and fight for our right to control our
own lives.

                                                Statement by Pie ‘n’ Mash Autonomous Social Cafe, February 2020


Please come down and see this amazing autonomous community space for yourself. Have a cuppa while chatting to the many local people who come in, volunteer if you have time, run a workshop or join the many workshops that are organised usually on Friday afternoons. Jacquie and Anne have so far run several art workshops, “exploring drawing, collage for hanging/bunting, painting collage on the theme of opening up the page to create inside/outside space and painting on glass window” and I did a zine-making workshop end of January (more info below). Last Friday they decorated the cafe and painted the former shop window before they danced during the  benefit gig to support the Social Cafe, featuring the wonderful Ukadelix, Deptford’s Street Poet Mark Sampson, Flaky Jake and many others, including open-mic performances. It was a night described by Anne (and many others) as, “one of the best nights of music that I can remember in Deptford. The enthusiasm of everyone and improvised nature of the whole night was massively compelling. It was magic, and donations will enable another event in the near future.” Or as somebody else said: “Legendary!” Photos below.

Photos: Anne Caron-Delion

On the 31st of January, I did a zine-making workshop with @iamadamram , responding to the themes of housing issues, austerity and the changing face of Deptford. It was a wonderful afternoon of making, creating and connecting. Everybody made an individual zine but at the end we made a collaborative one (last image below). Below are some of the zines that were made during that workshop. As the zines speak for themselves, the rest of this blogpost takes the form of a visual essay, exploring how people are experiencing life in Deptford. The zines can also be found in the cafe.

DSC_3633The collaborative zine, on display at the Pie ‘n’ Mash Autonomous Social Cafe